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Gateway to the Elysium
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Monastery of the Void Basel, Switzerland
Dark ambient compositions by C. Saros (Schammasch, Sulphura), reprising the new age darkness, the underlying sense of dread
we all feel and hear, if we listen close enough.
We are acolytes of the void, and this is our monastery.
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supported by 7 fans who also own “Gateway to the Elysium”
This is perfect for deep concentration! Thank you, SULPHURA!! You saved my brain!
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supported by 7 fans who also own “Gateway to the Elysium”
Very 3-D ambient sound, contemplative and alive. A pleasure to use as work music.
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supported by 6 fans who also own “Gateway to the Elysium”
This music creates the bitter flavour of apocalypse, gradually growing the feeling of something terrible would happen right now. Changing from mysterious to menancing, the melodies totally swallow your vision, your mind and perception. The music not only creates pictures before your inner eyes, but also moves deeply, sometimes to tears... Both the art and the music draws the pictures of terrible human-induced disasters, leaving only emptiness and ash behind.
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Post-rock musician and World Within Worlds label head Lachlan R. Dale returns with his debut full-length, a suite of ambient explorations.
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Waves of Now
by Steve Roach & Robert Rich
Recorded before a live audience, these compositions leverage the strengths of two ambient masters into a hypnotic 18-track set.
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Producer and composer Dan Frizza takes us on an emotional journey through boyhood, adolescence, and adulthood with ethereal ambient folk.
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supported by 5 fans who also own “Gateway to the Elysium”
I was promised to feel reborn and enlightened after listening to this album as a whole. The experience is close: I feel cleansed and at peace. The entire Part II: Metaflesh is my favourite on the album, due to the density of emotions and climaxes. Part III is very relaxing, helps to let go of thoughts and things.
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